Viking Objects
Copper-Alloy Toilet Implement (LIN-756E6A)
This early medieval socketed anthropomorphic object possibly depicts the Norse god Odin, who wears a bird-headed helmet or headdress. This object belongs to a group of similar figurines, all with bird-headed helmets or headdresses, which have been found in England, Sweden, Gotland, Denmark, Russia, and Belgium. Evidence from cemeteries demonstrates this type of object is strongly associated with women, and is probably an import from Sweden dating to the later seventh century, demonstrating contacts with Scandinavia before the Viking Age. While the exact function of this object remains unclear, parallels suggest it is perhaps a toilet implement.
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Viking Names
Ali/Alli
It is not possible to determine whether the names in Lincolnshire derive from Áli or Alli so all information for both names appears on this page. Áli is a diminutive name and occurs in Old West Scandinavia but it is not really frequent although it occurs as the first element of Norwegian place-names. It also appears in a few Danish place-names, but is not found in documents except for the Latin form Anulo. Alli is a short form of a compound name in Alf- or Al-. It does not occur independently in Old West Scandinavian but is found in a few Norwegian place-names. There are several instances in Old Danish including Latin Allo and a number of runic examples in both Denmark and Sweden. Áli or Alli is the first element of the place-names Aylesby, Althorpe, and Ailby in Lincolnshire.
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Item
Trefoil Brooch (LEIC-BD8163)
Trefoil brooches were characteristically Scandinavian women’s wear. However, many examples found in the East Midlands were probably made in the Danelaw, and may have been copies of Scandinavian styles, instead of being imported from Scandinavia. The decoration on this example features a foliate design. For more information on Scandinavian jewellery in England check out our blog: Brooches, Pendants and Pins: Scandinavian Dress Accessories in England.
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Viking Objects
Scabbard Chape (NLM-5BD697)
The incomplete openwork tongue-shaped front plate of this chape is decorated with at least six asymmetrical apertures and resembles similar chapes with ‘Birka Falcon’ decoration.
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Viking Objects
Zoomorphic Mount (DENO-7E523C)
This example of a copper-alloy openwork zoomorphic mount, strap fitting or harness fitting, is decorated with the head of an animal in profile.
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Viking Objects
Lead-Alloy Gaming Piece (LEIC-F39697)
This and similar pieces have also been interpreted as weights although the gaming-piece interpretation is more secure. Pieces like this would have been used to play hnefatafl and/or Nine Men’s Morris, both of which are known to have been played in Scandinavia in the Viking Age.
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Viking Objects
Rune Inscribed Rib (LCNCC : 1999.103.104)
Runes were used not only for monumental inscriptions, or to mark ownership of valuable objects, but also in more informal contexts. In this case the animal bone suggests an after-dinner pastime after a good meal in the Anglo-Scandinavian trading centre of Lincoln. The runes read ——l × hitir × stin × … Only two words of the Old Norse inscription can be read with certainty, and even so they are ambiguous. One possible interpretation is ‘[someone] is heating a stone’ the other is ‘[someone] is called Stein’. The bone is fragmentary, but the inscription may never have been intended to make much sense. The object dates from around the 10th century. It is one of only three runic inscriptions from the East Midlands.
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Viking Objects
Trefoil Brooch (LEIC-A43E83)
Trefoil brooches were characteristically Scandinavian women’s wear. However, many examples found in the East Midlands were probably made in the Danelaw, and may have been copies of Scandinavian styles, instead of being imported from Scandinavia. This example was found near Lincoln. For more information on Scandinavian jewellery in England check out our blog: Brooches, Pendants and Pins: Scandinavian Dress Accessories in England.
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Viking Objects
Hack-gold (CM.1800-2008)
This rounded ingot terminal was cut from a larger rectangular ingot. Though rarer than hacksilver, this gold ingot formed part of the bullion currency used by Vikings in England and may be associated with their winter camp in Torksey.
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Viking Objects
Stamped Finger Ring (NCL-90DD85)
A silver finger ring made from a sheet of silver cut to size featuring circular punched decoration. Rings like this with knotted ends are typically Scandinavian.
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Blog Post
Viking Art Styles in the East Midlands: Borre
Traders, raiders, and artists? When Vikings are conjured in the popular imagination they clasp swords rather than chisels, but many of the Viking Age objects found in the East Midlands demonstrate intricate craftsmanship that still survives after a thousand years. Scandinavian art styles evolved throughout the Viking Age (c. 800-1100 AD) and are today classified into a loose chronology: Borre, Jelling, Mammen, Ringerike, and Urnes. These styles often overlap stylistically and chronologically, but there are enough distinctive features and recurring motifs to separate objects in various media into these identifiable styles. These art styles further developed in the British Isles with some objects retaining pure ‘Viking’ ornament or featuring a hybrid Insular style that slightly modifies Scandinavian features to fit a new social and artistic context. This blog series will briefly explore the characteristics of the Scandinavian art styles appearing in the East Midlands through the objects themselves. The Borre Style One of the earliest Viking art styles, the Borre style, was prevalent in Scandinavia from the the late ninth to the late tenth century. The style derives its name from group of bronze harness mounts discovered in a ship grave from Borre, Vestfold, Norway. The style is characterised by a range of geometric and zoomorphic motifs and the occasional gripping beast. The Borre Style in the East Midlands The Borre style came to England with the Scandinavian settlers from the late ninth century. The style proved to be popular amongst insular artists and appears on several forms of media such as stone sculpture and metal brooches throughout the British Isles. One object in the East Midlands that exemplifies the Borre style is a gilded, copper alloy equal armed-brooch fragment found in Harworth Bircotes, Nottinghamshire. There is a diagnostic Borre style beast with gripping arms and legs that has parallels with a find in Birka, Sweden. However, the gripping beast motif in England is quite rare as this brooch fragment is one of only six Scandinavian, Viking period equal-armed brooches recorded in England. A gilded, copper alloy equal armed-brooch found in Harworth Bircotes, Nottinghamshire with a Borre Style animal. Reproduction equal-armed brooch in the Borre style made by Adam Parsons Another copper alloy, gilded disc brooch in the Borre style found in Cossington, Leicestershire was probably brought to England from Denmark. The interweaving tendrils on this disc are characteristic of the Borre style and recall interlacing loops formed from gripping beasts. Scandinavian brooches tended to be domed with a hollow back compared to the English counterparts which were flat at the time. Borre disc brooch found in Cossington, Leicestershire The Borre style is not restricted to brooches in the East Midlands, it is also found on other objects such as this copper-alloy strap-end found in Brookenby, Nottinghamshire. Borre style strap-end found in Brookenby, Nottinghamshire The style is also found on a few buckles in the East Midlands including the copper-alloy belt fragment pictured below which is thought to be from a flat buckle. The object was found near Coddington, Nottinghamshire, and has few comparable examples. Another copper-alloy buckle was found near Earl Shilton, Leistershire. This buckle consists of an oval loop with a circular cross section and has an elongated triangular pin rest in the form of an animal head. The animal head has a pointed snout, rounded head with rounded upwards pointing ears which merge into the buckle loop. Copper-Alloy Buckle Fragment in the Borre style found near Coddington, Nottinghamshire A copper-alloy belt buckle in the Borre style found near Earl Shilton, Leicestershire All of these artefacts display the variety of isomorphic and geometric designs found within the Borre style and how this style was used to decorate different kinds of objects. The Ring Chain An instantly recognisable motif of the Borre style is the symmetrical, double contoured ring-chain. ‘This composition consists of a chain of interlacing circles, divided by transverse bars and overlaid by lozenges’ (Kershaw 2010, 2). Occasionally, the ring-chain terminates in an animal. The ring-chain appears in a modified ‘vertebral’ variant on stone sculptures in the British Isles where ‘a rib of truncated triangles’ is ‘flanked by side loops’ (Kershaw 2010, 2). The best-known example of the vertebral ring-chain is on the Gosforth Cross in Cumbria, but it is also found in the Isle of Man, Yorkshire, and even the East Midlands, engraved on a stone from St. Mary’s Church in Bakewell, Derbyshire. Borre ring chain design found at St Mary’s Church, Bakewell, Derbyshire © Roderick Dale References: Kershaw, Jane 2010. ‘Viking-Age Scandinavian art styles and their appearance in the British Isles Part 1: Early Viking-Age art styles‘, Finds Research Group Datasheet 42, pp. 1-7